Deep Cover (2025)

Deep Cover (2025)

7/10

Starring

Bryce Dallas Howard

Orlando Bloom

Nick Mohammed

 

 

Directed by Tom Kingsley

 

I watched this movie and realised I’m a simple man. I don’t need things to get very convoluted with plot twists and thrillers to make me happy. To be happy, drop me off at movies where three improv actors are tasked with something as simple as buying a box of cigarettes, and I’ll be laughing my head off.

I did not see the things coming in the first 30 minutes, that I can tell you. The surprises hit from the start — then kind of die off. The problem with throwing in surprises like that, and then having the characters wiggle out in the most unrealistic way possible, is you kind of kill the tension and suspense. Because later on when I see similar things, I just know they’ll get away.

This is amazing work from the writers, trying something like this — and for me, it paid off. The blend of these three actors is amazing. Their acting range and comedic timing spread all over the scenes they’re in. It felt more like they’ve been working together for years doing sketches.

So the movie is about three people: two out-of-work actors, Kat and Marlon (Howard and Bloom, respectively), and an IT guy, Hugh (Mohammed). Marlon attends Kat’s improv class, and Hugh, who always wanted to be part of the group at work, decided to join the class. One day, Kat gets approached by a detective who tells her he’s running a sting and needs improv actors who aren’t cops — because the bad guys can spot a cop right away. She had to get two other people to work with her, and since she didn’t have money and the pay was good, her options were limited. So she picked Marlon and Hugh, and the three went in deep undercover to bust a drug ring.

In the end, as much as I loved the movie, I have to admit it felt like watching a one-hour sketch show. That may be one of the things I can see people not liking about this movie — it felt more like jointed segments, which may not go down well with many. For someone like me, who doesn’t mind sketch shows, it was fine. In reality, when watching sketch shows, not every sketch in the episode lands. This movie also had that.

Another thing is the unrealistic way things clear up. But I guess that’s the whole point of entertainment — watching things you either cannot do but find fun watching, or seeing things you know are not possible but enjoy the idea of seeing it. Remember when I said the suspense died in the first 30 minutes? Well, the movie ends in a way you would have been guessing from the start. That’s when questions start to creep in, like why can’t I see other officers working on this? And the first thought that crossed my mind during the whole undercover thing was — wouldn’t I want to speak to someone higher before getting involved?

Anyways, I did enjoy seeing this movie, and I know you will too. So I’ll recommend you give it a shot. I guarantee that at least the very first 30 minutes will have you laughing hard, and chances are you’ll find more minutes to laugh about

 

Predator: Killer of Killers (2025)

 

Predator: Killer of Killers (2025)

7/10

 

Starring the voices of

Lindsay LaVanchy

Louis Ozawa

Rick Gonzalez

Michael Biehn

 

 

Directed by Dan Trachtenberg

 

Spoiler alert

 

When you are watching and you see the first battle in 841 AD — when the Predator took on Ursa, a Scandinavian Viking warrioress who leads her clan on a revenge mission — you are amazed. The battle is raw, and even though the Predator seems to have the upper hand in size and gadgets, this woman was no pushover. And this animation starts as such, watching this woman survive and take on the Predator, only to lose everything else.

It is then you can see where this is going, which is not that much of a good thing, as the suspense is gone on who will win in the fights — you can see them all on the Predator ship. This animation is broken into segments, and you know the last segment will tie it all up.

What I like the most is the intensity and the violence, as the animation kind of answers the questions no one was actually asking — how will the Predator be when it takes on a ninja, or Viking, or as we saw in the movie Prey (2022), a Comanche?

The animation in this movie is like that of Arcane, and it flows well. The voice acting, writing, and directing are magnificent as the movie moves fast, with gore violence.

As I said above, the first segment is about Ursa and the Predator. The second segment takes place in Japan, 1609, about a ninja who takes on the Predator. The third segment is set in 1941, about a U.S. Navy gunman and the Predator. These three are then taken to the Predator planet, and as these are warrior races who take joy in the battles, there is a planned fight.

Now, like many of the Predator movies, this one did not handle the introduction well — that I score it low on. If you have no clue what this series is about, then you will be left trying to understand why the Predator is acting the way it does. The movie starts with a brief writing trying to shed light on how the Predator race sees things, but I had people with me not still getting it until I had to flesh it out.

In the end, Dan Trachtenberg did a good job in the writing and story — he was also behind the camera in Prey (2022), so he is not new to the franchise. I would have felt an animation would have given him more freedom to make a lot of things add up, but he did not jump on that and just ran with his idea instead of using this animation to flesh out the Predator race.

Nonetheless, the cinematic fights and flights are worth seeing, and I can easily say — go see this movie because of that. It is streaming on Disney+.

The Accountant 2 (2025)

 

The Accountant 2 (2025)

 

7/10

Starring

Ben Affleck

Jon Bernthal

Cynthia Addai-Robinson

Daniella Pineda

 

 

Directed by Gavin O’Connor

 

Let me start by saying all the things I do not like about this movie. First thing being, it is not like the first movie, which had a thriller-focused plot. This movie lures you into thinking that, but then delves into a comedic brother dynamic, lost memories, missing people, and many characters’ lives intertwining here and there.

Second, because of this change in focus, the plot points are numerous. And even though that can be engaging cinema, it also leaves room for unresolved issues or convoluted tying up of loose ends — which happens here.

Lastly, the character Christian Wolff/The Accountant (Ben Affleck), who is autistic and launders money for top criminals, was portrayed in an all-too-generic way that we see in movies.

What worked for me — Affleck and Jon Bernthal amazingly played off one another. Then the movie has a tense buildup, which is one of the amazing things about it. This comes from the powerful acting displayed by the leads, Affleck and Addai-Robinson, and I will need to applaud the director for that too.

Another amazing thing done by the writers — and I believe the director — is the way the movie is crafted to continue from the first movie, but you do not need to see or read about the first to enjoy this.

The movie plot is about human trafficking, and it winds up on itself a lot. The moment the movie develops in the middle, everything that happens in the beginning starts to become fuzzy and makes very little to no sense.

But as I said, the movie is about human trafficking, and it starts with former FinCEN director Ray King calling a lady assassin and asking her to help look for a family. That meetup ended with Ray getting killed, and when his body was found, he had written on his arm “FIND THE ACCOUNTANT."

Medina was called (now the new FinCEN director), and she was able to track down Chris. Together, they started to try and unravel the mystery in Ray’s apartment about the family he was looking for. Chris, seeing that the job would require assistance, called his brother Braxton (Bernthal) to come assist. So together, the three of them are trying to solve the mystery of Ray’s death and how it connected to the family he was looking for.

So, in the end, it was a fun watch, and if there is a third, I will watch. You can tell by the end that the movie would have been better if the plot stayed focused on one story and didn’t have too many plot points. But if you can overlook them and not try to see a resolution to everything, you will like this movie the more.

I am not a fan of Ben Affleck and his work, but this one is good enough to be enjoyed by anyone. Will I recommend it? Yes, I will — it is worth seeing.