Three Billboards
Outside Ebbing, Missouri is one of those movies you’ll appreciate more for
its screenplay and story. Written and directed by Martin McDonagh, the idea
came to him while driving and seeing billboards about unsolved murders. His
fictional take on this concept hits home well enough for me to enjoy.
His version
features a mother who has waited seven months for the police to come up with
something—anything—on her daughter’s case. Her daughter was raped, killed, and
burned to death. The mother is tortured by what happened, especially because of
the last words they exchanged and their strained relationship. To add to her
pain, her husband left her for a nineteen-year-old. Their marriage wasn’t
rosy—he used to beat her when they were together.
This, of course,
changes things for her. The town now hates her, and even the police department
isn’t keen on getting involved. The police chief, Willoughby (Woody Harrelson),
isn’t doing well himself, as he struggles with his own pain, which leads to a tragic
turn of events.
This
well-written movie seems to grow right before our eyes, leaving us to witness
more mature and impactful scenes from the two lead characters, Frances
McDormand and Sam Rockwell.
At the 75th
Golden Globe Awards, the film won Best Motion Picture – Drama, Best Actress –
Drama (Frances McDormand), Best Supporting Actor (Sam Rockwell), and Best
Screenplay. It also earned Oscar nominations for Best Picture, Best Director,
Best Actress in a Leading Role (Frances McDormand), and Best Actor in a
Supporting Role for both Sam Rockwell and Woody Harrelson.
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