Kate (2021)
3/10
Starring
Mary Elizabeth Winstead
Miku Martineau
Woody Harrelson
Directed by Cedric Nicolas-Troyan
When you sit down to watch Kate,
you get from the start that this is something you’ve seen before, and I guess
the producers felt it was okay to do it again. I think the best way to rate
this film is to let you know it’s a B-movie with subpar graphics. The car chase
looked like something they lifted from the video game Need for Speed. While
everything else in the movie felt like derivatives from other films involving
female assassins and their controllers getting into sticky situations, there’s
nothing fresh about it.
When numerous movies start to
feel alike, there’s no longer a thrill. You can guess your way through the plot
from the first minute. How the makers expect you, in good conscience, to
recommend this movie to another person, beats me.
The movie had a flat take on its
own story, and the characters (except for Kate) were just redundant and bland.
All through, you’re made to feel like you’re waiting for something to happen,
which never does.
So, what is Kate?
You start with a character (Kate
the assassin) who grows a conscience when it comes to a kill. Because, as you
can guess, the kill’s daughter was present. Well, Kate carries on with the job
even though she tries to object to it, and we now have a devastated daughter.
At this point, you’ll be able to guess that circumstances will add up and a
series of unfortunate events will bring the two together.
Fast-forward to a one-night
stand, and Kate gets poisoned with a radioactive element, which now gives her
one day to live. She gathers up some adrenaline shots and goes hunting for the
bad guy she believes was behind her poisoning.
It turns out, the suspected man,
as you can guess, is related to the person she killed and is the uncle of the
little girl. Kate kidnaps the girl with only one thing in mind: getting the bad
guy to show up so she can kill him and die in peace.
This lack of innovation is caked
with bad CGI, weird gunfights, plot holes, and some not-so-necessary incidents
that only make you question if the makers think you’re dumb.
This movie is on Netflix, and I
believe Netflix needs to step up on all the trashy, skip-worthy movies they’ve
had their hands in nowadays.
Mary Elizabeth Winstead, on her
own, took the movie more seriously than it deserved.
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