The Crow (2024)
5/10
Starring
Bill
Skarsgård
FKA
Twigs
Danny
Huston
Directed
by Rupert Sanders
I
stayed away from reviews to avoid bias in my view of this movie. The Crow
(1994) is, to me, one of the best movies I have ever seen. I love it so
much that it’s a 10/10 on my blog because of how good it is. It digresses (more
than half) from the comic on which it is based because the movie portrays Eric
as a hero, whereas the comic presents him as someone who is not mentally
stable. Notwithstanding, the 1994
adaptation is amazing.
When
this movie started, and I saw that this reboot plot is straying from both the original
and the comic, I began to worry.
The
plot of The Crow, as I know it from the comic and the original
movie, shows Eric and Shelly without much connection to drugs or rehab.
But, as I continued watching, I realized this movie is its own adaptation,
delving into its own material, much like the various sequels of The Crow after the 1994
version.
For that
reason, I am judging this movie on its own merits as a film, like I’ve done
with all the sequels that followed the 1994
version.
The plot is about Eric and
Shelly, two drug addicts who met at a rehabilitation center. Shelly’s friend
recorded an incident involving Shelly and Roeg on her phone, and sent the video
to Shelly, but she was killed for having it. Shelly is hiding in the rehab
center while on the run. When she discovers she has been found, she and Eric
escape the rehab and start a life together. However, Roeg sends people after
them, and they soon catch up with the couple, killing them both. Eric is
brought back to life by the Crow, tied to the land of the living by his pure
love for Shelly. Now, he must exact revenge on the people who killed her and
also kill Roeg.
On its own basis, the main
problem with this movie is the bad pacing and the lack of depth in the
antagonist, Roeg. It takes almost forty-five minutes to show the effects of
Eric being brought back to life by the Crow. Additionally, there is a lack of
fluidity in the reasoning behind some of the actions. For instance, while it’s
clear the antagonist sends innocents to hell for eternal life, the film does
not sufficiently explain how he obtained this deal, who else is involved in it,
and how he is able to grant this delay of death to others or if he can.
I wouldn’t say the movie is
unwatchable, but it lacks the impact of a film I’d want to watch again.
Additionally, there are so many loose ends that it feels like the creators were
hoping to turn it into a franchise. Sadly for them but fortunately for
audiences, the poor box-office returns will likely prevent that from happening
anytime soon.
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