The Killer (2024)
3/10
Starring
Nathalie
Emmanuel
Omar Sy
Sam
Worthington
Diana
Silvers
Directed
by John Woo
Growing up in the 90s, there was
no escaping the John
Woo’s 1989 movie, The Killer. Chow Yun-fat’s performance and the film’s
shooting action scenes are forever stamped in my memory, even if the pacing of
the movie back then wasn’t perfect. Fast-forward more than 30 years later, and
Woo has decided to remake his classic. If he did, it shot for shot, it would
have been better, this was a waste of view time.
I went into this with high
expectations, hoping for the same gripping action and emotional resonance as
the original. Instead, I got a bizarrely boring movie that completely missed
the mark. Imagine a John Woo film, where there’s plenty of shooting and action,
but none of it manages to hold your attention. I found myself repeatedly
frustrated, especially by the cinematography. The movie was raving with strange
camera tilts, unnecessary zoom-ins, and bad editing. All these made it hard to
take any scene seriously and made me want to scream.
And then there’s the pacing. The original
also had a pacing problem, but this one turned it up. Stumbling from scene to scene
with no sense of rhythm. It’s as if the filmmakers were in a rush to get to the
next poorly executed action sequence, forgetting that pacing is what keeps an
audience invested.
The actors didn’t help matters.
Everyone felt like they were miscast, struggling to fill roles that were simply
too big for them. Nathalie Emmanuel as Zee and Omar Sy as Sey gave performances
that lacked the intensity and depth needed for a story like this. Their
characters felt underdeveloped, and their motives went completely over my head
most of the time.
The plot is another mess
altogether. When your main character, a brutal assassin, suddenly decides to
spare someone for no discernible reason, you’re left wondering who thought this
script was a good idea. It felt like John Woo had typed into ChatGPT: “Write me
a script like my other movie, The Killer,” and called it a day. The
predictability of the story was almost insulting. Finn, Zee’s handler who works
for a drug lord, is cartoonishly evil and obviously set up to betray everyone.
I wanted so bad to like this movie. I really did. But between the bad editing, poor pacing, and lackluster performances, there’s just nothing to like. The original “The Killer” was iconic and this one just wish was not done. If you’re thinking about watching it, do yourself a favor don’t. Spare yourself the disappointment and rewatch the original instead.
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