And Then There Were None (1945)
6/10
Starring
Barry Fitzgerald
Walter Huston
Louis Hayward
Directed by René Clair
I saw the 2015
BBC TV series adaptation first before watching this, and even though both
versions kind of remixed the ending, the remix in this 1945 version really
messed up the book’s ending for me. The book’s conclusion is masterfully
crafted to portray the killer as a sick man whose aim—to punish everyone who
escaped the law—was successful. In this movie, however, he’s still a sick man,
but his aim to punish everyone was unsuccessful.
The story is
based on one of the most (if not the most) successful mystery thrillers written
by Agatha Christie: And Then There Were None (1939). The plot is framed
around the nursery rhyme Ten Little Indians (though Christie originally
released the book as Ten Little Niggers).
For me, the
movie fails to tick all the boxes of a masterpiece. The pacing lost me at
times, with moments of boredom in between. The acting was top-notch, but in
such a tense life-or-death situation, the romantic tension between characters
felt forced. The cinematography wasn’t the best I’ve seen, but it was good
enough to carry the movie from start to finish.
The plot begins
with eight people arriving by boat on an island, all invited by a certain Mr.
Owen—a man none of them has met. On the island, they’re greeted by a couple,
Mr. and Mrs. Rogers, who were hired by Mr. Owen to care for the guests. Mr.
Rogers plays a record at a specified time, per Owen’s instructions, and the
voice on the recording accuses all ten people in the room of crimes that led to
someone’s death. They soon realize there’s no way off the island until the boat
that brought them returns. Now, they’re trapped and forced to confront the
accusations while trying to survive.
At the dining
table, the group notices ten figurines representing the Ten Little Indians
rhyme. One guest recites the rhyme, while the others lounge about, wondering
why they’ve been brought here and realizing none of them actually knows Mr.
Owen. After one guest plays the Ten Little Indians tune on the piano, he
takes a drink and dies from poisoning. The group moves his body and discovers
that one of the figurines is missing. To their horror, his death mirrors how
one of the "Indians" in the rhyme dies.
One by one, the
remaining guests start dying in ways that correspond to the rhyme, leaving the
survivors to figure out who among them is orchestrating these killings—and how
they can stay alive.
It’s a decent
film, but the romantic subplot between two of the characters felt unnecessary,
and the movie’s altered ending left me preferring the 2015 BBC adaptation.
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