The movie isn’t
bad, but it’s very hard to recommend to anyone.
Colossal has a
lot of gaps, like the connection between the monster and the human, or what
caused it in the first place. Sure, there’s lightning and some room for
imagination, but why just these two people? Why aren’t there other monsters in
other places controlled by other people?
That said, the
movie isn’t bad to watch, and it’s not boring. The producers managed to use a
small cast to deliver their message effectively.
Colossal doesn’t
have impressive CGI, so don’t go looking for that. There’s no
monster-on-monster action either, so don’t expect that. The only thing that
makes this movie worth watching is the performances of the actors. Anne
Hathaway, in particular, is amazing in this film.
Here’s the plot:
Gloria (Anne Hathaway) is a struggling, unemployed writer and a raging
alcoholic. She’s been getting by by taking advantage of her boyfriend, Tim (Dan
Stevens). When Tim gets tired of her refusal to change her ways, he dumps her,
packs her things, and tells her to leave. With no other options, Gloria returns
to her childhood home in New England. There, she reconnects with an old
childhood friend, Oscar (Jason Sudeikis), who runs a bar and offers her a job.
When Gloria
wakes up, she realizes she’s somehow connected to the monster. She discovers
she can control its movements, as the monster mirrors her actions. She shares
this secret with Oscar and his friends, showing them proof.
The movie
would’ve been a complete mess if this was all it had to offer, as the buildup
to this point isn’t particularly entertaining, and it’s hard to see where the
story is going. But then, we learn that Oscar is a possessive individual with
serious mental issues. Later, another monster appears in Seoul.
The movie wasn’t
a financial success, and if you don’t get around to seeing it, you’re not
missing much. It fails on many levels, and even thought the cast on their own
can carry movies to make them memorable, in this flick, that did not happen.
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