Brother Bear (2003)
6/10
Starring the voices of
Joaquin Phoenix
Jeremy Suarez
Rick Moranis
Dave Thomas
Directed by Aaron Blaise and Robert Walker
Brother Bear is
one of those Disney animated movies that’s cool to watch, with a very nice
soundtrack. The animation takes you on an emotional ride, aiming to make the
viewer feel like they could step into the shoes of the lead character—but in
reality, hell no.
The story isn’t
bad, and the animation is solid. This is Disney’s 44th animated feature film,
classified as an adventure comedy-drama. It’s also the studio’s last major
theatrical success using traditional animation before transitioning to CGI for
future productions. After Brother Bear, Disney released three more traditional
animations, but they weren’t as successful. Home on
the Range (2004) and Winnie the
Pooh (2011) were box office duds, while The
Princess and the Frog (2009) only barely broke even.
Alright, back to
this flick. Watching this for the second time, after my first viewing in 2003,
I found myself appreciating it less. The story is set in post-Ice Age Alaska,
where the people believe that the Great Spirits are responsible for the
creation of all creatures. They believe the aurora is the home of these
spirits.
At a
coming-of-age festival, people in the community are given totems, symbols meant
to guide them in becoming men. Among three brothers, Kenai is the youngest,
followed by Denahi, and the eldest is Sitka. Kenai receives his totem, as his
brothers did before him. His is the totem of love, symbolized by a bear. Kenai
is upset by this, questioning how focusing on love will help him become a man
or fulfill his calling.
When the
brothers return home, Kenai fails to secure their food from bears, and a bear
makes off with it. Determined to retrieve the food, Kenai confronts the bear
for no real reason, which leads to his brothers coming to his aid. This
confrontation tragically results in Sitka’s death. Enraged, Kenai ignores
Denahi’s plea to let it go and not anger the spirits by seeking revenge.
Instead, Kenai hunts down and kills the bear, which angers the spirits. As
punishment, they transform Kenai into a bear.
Meanwhile,
Denahi, searching for his brother, finds a bear in Kenai’s place, alongside
Kenai’s ripped clothes. Unaware that the bear is actually Kenai, Denahi assumes
the bear killed his brother. Consumed by rage, Denahi seeks revenge, determined
to kill the bear.
Now, Kenai must
journey to the place where the aurora is brightest to ask the spirits to turn
him back into a human. Accompanying him is Koda, a young bear also heading
toward the same destination in search of his mother, whom he lost a while back.
A strange but touching relationship develops between the two as they travel
together.
The movie’s
soundtrack features music by Phil Collins, though he doesn’t sing all the songs
as he did in Tarzan.
The animation is
good, and the story is engaging. However, the film includes a long singing
scene that feels unnecessary. It’s well-suited for children to watch and enjoy
anytime. For adults, it’s an okay movie—entertaining but not particularly
exciting.
The movie
received mixed reviews. On a $46 million budget, it grossed over $250 million
at the box office and made even more through home video sales. It was nominated
for Best Animated Feature but lost to Finding
Nemo. A direct-to-DVD sequel, Brother Bear 2, was released in 2006, but
it’s not worth watching.
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