The Unbearable Weight of Massive Talent (2022)
8/10
Starring
Nicolas Cage
Pedro Pascal
Sharon Horgan
Directed by Tom Gormican
As a young child
growing up, Nicolas Cage was a huge part of cinema for me. His movies like The
Rock, Face/Off, and Con Air were steady diets. He also did great movies after
those, but those three always come to mind when I think of him. I saw them
regularly and never got tired of them. After the National Treasure two-parter,
nothing else has made me think of Nicolas Cage.
When I heard
about this movie being good, I was skeptical. I recall critics having the same
thing to say about Pig, a movie Cage made that was just awful. This movie, on
the other hand, is one of the best I’ve seen this year (if not the best), and I
can’t remember laughing this hard this year. This movie is a comedy-crime film
that just blows me away with the way the plot was written. Then the chemistry
between Cage and Pedro Pascal is magical to behold.
When a movie is
smart and funny, there is no better feeling than just relaxing and allowing the
story to take you away. The creative style of the writer/director, Tom
Gormican, of taking the character Cage in a fictional version of himself—not as
lost as movies like this often make their characters—is something I appreciate.
When most comedy movies make fictional versions of their characters lost and
oblivious to life, this movie makes Cage seem like a man struggling to find his
glory days and having a hard time being a father, making him normal.
The plot starts
with Cage going to meet a screenwriter for a part. He had read the script and
believed starring in this movie would be his big break, a return to the
limelight. It ended up not going well because, in his bid to show how ready he
was for the role, he spooked the writer. In a financial mess, as we know Cage
is, he took a $1 million gig. The gig was to be a guest of honor at billionaire
Javi’s (Pascal) place in Majorca for his birthday. It turns out that Javi had
other plans—he was working on a script, and Cage was his idol. He wanted Cage
to read it and star in it.
On the other
side of things, at the beginning of the film, we witness a young girl being
kidnapped while watching Con Air (a film by Cage). The CIA thinks there is
something about this kidnapping that has to do with Javi, and when they find
out that Cage was to be at Javi’s place, they want him to spy for them.
The movie places
all these cards before you, and we watch as Cage tries to navigate his present
life as a washed-up actor, Javi struggles to get Cage to take his script
seriously as Cage’s future big break, and the CIA tries to get the kidnapped
girl free.
I loved this
movie, and it’s sad to see that it wasn’t a box-office success. The problem is
that Cage has lost the power to draw people to the cinemas, but if only they
tried, they would have seen one of the most amazing films of 2022.
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