In 2006, there
were two psychological thriller movies that explored the world of
magicians: The
Illusionist and The Prestige. The Prestige got more
attention, even though both movies are equally fantastic and deliver the thrill
and excitement of watching men go to extreme lengths for their craft. While The
Illusionist is more rooted in a romantic plot, The Prestige is more
about pride.
The Prestige, on
the other hand, is packed with twists and turns. Just when you think you’ve
figured out what’s happening, things change, and by the end of the movie, you
still haven’t fully grasped everything. The only downside is that even when it
all makes sense, you might not feel the urge to watch it again.
What The
Prestige has going for it are the fantastic performances from Hugh Jackman
as Robert and Christian Bale as Alfred. As the movie’s narration says, it’s
those who love them that suffer. That sad realization hits you when the final
curtain falls, leaving you applauding the incredible movie you’ve just
witnessed.
The movie’s plot
starts with two apprentices, Robert and Alfred, sent by their boss to watch a
magic show. Their goal is to come back and explain how the magician performs
his trick. We quickly see the difference in their temperaments as the movie
progresses. A rivalry begins when Alfred uses a different knot to tie Robert’s
wife during a water tank trick that goes horribly wrong.
The two part
ways and start their own magical careers. Robert becomes more flamboyant and
financially successful, while Alfred continues with moderate success. Alfred
develops a trick where he appears to teleport from one side of the stage to the
other in an instant.
Robert sees this
trick and becomes obsessed with figuring out how it’s done. He creates his own
version using a stunt double, but he’s not satisfied with the results. Misled
into seeking out the engineer and inventor Tesla, Robert develops his own
teleportation trick—but the results are terrifying. Despite this, Robert
remains determined to ruin Alfred, while Alfred, seeing Robert’s trick, becomes
equally obsessed with uncovering its secret.
Unlike The
Illusionist, when you compare The Prestige’s production cost to its box
office earnings, it was only a moderate success. However, it received Academy
Award nominations for Best Cinematography and Best Art Direction. If you
haven’t had the chance to see The Prestige or The
Illusionist, I highly recommend both.
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