Starring
Mike Myers
Eddie Murphy
Cameron Diaz
Antonio Banderas
Rupert Everett
Jennifer
Saunders
Julie Andrews
Directed by Chris Miller
This is what
happens when you drag a story out longer than you should. Shrek the Third (or Shrek
3) lacked everything—except the characters—that made the first two movies such
classic fun. The animation wasn’t funny, the adventure wasn’t interesting, and
Charming was far too simplistic to be a compelling villain. Everything about
the plot felt wrong, and every path they took to the ending was a dead-end for
humor. Unlike the first two movies (Shrek and
Shrek 2),
where I laughed along with the fun, this one didn’t even make me smile. It just
left me frowning in disappointment.
They tried to
add a fatherhood dynamic to the story by giving Shrek the challenge of caring
for someone younger and inexperienced in life. To achieve this, they completely
mishandled the supporting cast. Donkey was full of words but had no jokes or
quirky comments that landed. Puss had all the charm drained out of him, leaving
little reason to care about what he said. And the princesses? They were reduced
to tired stereotypes, sitting around waiting for their princes to rescue them.
If you’re like
me and going through the Shrek movies, you’ve probably reached the same
conclusion I did: no wonder I couldn’t remember anything about this one. Ladies
and gentlemen, it was that bad.
The setup had
potential. Fiona’s parents are incapacitated—the king of Far Far Away is
gravely ill, and his wife remains at his side. Shrek and Fiona are temporarily
ruling in their place, which seemed like an exciting new dynamic to explore:
Shrek and Fiona dealing with everyday life as rulers, away from their beloved
swamp. Unfortunately, the writers must’ve thought that idea wouldn’t work
because what they went with instead definitely didn’t work.
When the king is
on his deathbed, he names Shrek and Fiona as his successors. As expected, Shrek
doesn’t want the responsibility. What I didn’t expect was the ridiculous way
they wrote him out of it. The solution? A man named Arthur Pendragon, who Shrek
is sent to find so Arthur can take the throne instead. This could have been an
easy win for the writers—after all, we’re all familiar with King Arthur and
Merlin. Instead, they rewrote the legend in the worst way. Arthur is portrayed
as a loser, and Merlin as a lunatic.
Shrek sets off
on a journey to find Arthur, accompanied by his two best friends. But the
entire journey—both there and back—is boring and uninspired. Meanwhile, back in
Far Far Away, Charming has gathered an army and is taking over the kingdom by
force. He plans to make a public spectacle of defeating Shrek, so capturing
Fiona and the other princesses becomes part of his leverage strategy.
The original voice cast returned to reprise their roles, with a few new additions. While the movie was a commercial success, it flopped critically with both reviewers and audiences.
For me, the main reasons for this disaster boil down to two things. First, the story arc was terrible, making everything about Arthur’s journey to Far Far Away a snoozefest. Second, the movie gave far too much screen time to its supporting cast, distracting us from the core characters we love and depriving viewers of the entertainment they were expecting.
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