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Scent of a Woman (1992)


Scent of a Woman (1992)


10/10




Starring
Al Pacino
Chris O’Donnell


Directed by Martin Brest


Scent of a Woman is a classic, and if you haven’t seen it yet, you’re missing out on one of Al Pacino’s best performances to date. That’s not to diminish his incredible work in The Godfather (1972), The Godfather Part II (1974), or Scarface (1983), where he also outdid himself. Those films, along with this one, have all achieved classic status. It’s safe to say Al Pacino has been part of many cinematic masterpieces.

The movie is well-written, with a steady pace and several memorable cinematic moments. The cinematography is clear, showcasing some beautiful sights of New York. The ending, where Pacino’s character Frank defends Chris O’Donnell’s character Charlie, delivers fantastic performances and powerful dialogue that’s worth the wait.

The musical score is soothing and complements the film’s emotional tone. Credit must be given to the director for keeping the focus on the story rather than trying to evoke pity for Frank. Instead, we get a nuanced understanding of why he acts as he does after losing his sight. By the end, we’re left to decide whether to feel sorry for him or be angry at his initial inclination to take the easy way out—a choice he himself admits guilt over when he finally stands up for Charlie.

The plot revolves around a blind, retired army Lt. Colonel, Frank, who lives with his niece and has been a constant source of trouble for her family. When she plans to leave town for a short while, she hires a young student, Charlie, to look after him.

Charlie, a prep school student on a scholarship, takes the job to support himself. Unlike many of his peers, who come from wealthy families, Charlie is grounded and hard-working. But as soon as Frank’s niece leaves, Frank takes Charlie on an unexpected trip to New York, revealing an itinerary of personal goals he’s determined to fulfill.


The New York trip becomes an eye-opener for both of them. Frank, struggling to come to terms with his life after losing his sight, learns something new, while Charlie, dealing with his own issues at school, gains the courage to stand up for what he believes in.

Chris O’Donnell’s performance is commendable and deserves recognition alongside Pacino’s. The film is a remake of the 1974 Italian film Profumo di donna, itself based on Giovanni Arpino’s novel Il buio e il miele.

Pacino won the Academy Award for Best Actor for this role, and the film received nominations for Best Director, Best Picture, and Best Screenplay. At the Golden Globes, it took home awards for Best Screenplay, Best Actor (Pacino), and Best Motion Picture – Drama.

My only critique of the film is its length—it feels quite long. But aside from that, there’s no reason not to watch this movie again.




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